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The application of construction dispute procedures has changed dramatically in the last decade. This has resulted in an increased use of Alternative Dispute Resolution in many countries, and mediation in particular. Construction is one of the major industries using mediation, in the UK and in many other countries such as the US, China, Australia and New Zealand. This expansion in mediation has been helped by encouragement from governments, although it takes diverse forms in different legal jurisdictions, for example: court rules to encourage this use (as in the US and UK); the courts’ own mediation schemes or programmes, or legislation-backed programmes; or the use of industry driven mediation clauses in standard form contracts. These developments have taken place extremely rapidly. They represent significant changes to the legal environment within which the international construction industry conducts its business but, to date, there has been little research on their impact. All these initiatives have inevitably led to a developing legal jurisprudence concerned with the validity of contract clauses or with providing statutory interpretation of the rules requiring or governing practice. This has important consequences for the construction industry because legal uncertainty increases the likelihood of dispute, which is not only costly for the disputants but can be damaging to national and global economies. This book identifies the emerging international practices within construction mediation, and seeks solutions to the many legal and commercial challenges which they pose. It presents an international collection of reviews by experts, and allows a comparative commentary on the practice of construction mediation and the legal challenges facing its development. Penny Brooker is a Reader in Alternative Dispute Resolution and mediation at the University of Wolverhampton, UK. Suzanne Wilkinson is Associate Professor at The University of Auckland, New Zealand. Jointly, they are coordinators of TG 68, the international task group for construction mediation of the International Council for Research and Innovation in Building and Construction (CIB), part of CIB’s Working Commission W113 on Law and Dispute Resolution. \"...a useful addition to construction and legal libraries in providing a basis for understanding dispute resolution in several jurisdictions. In particular, it is a useful reference for legal aspects of mediation, especially in the UK, and so, very helpful for students undertaking courses on construction and the built environment.\" -Construction Management and Economics Chapter 1: Introduction: International Review of Construction Mediation Chapter 2: Construction Mediation in Australia Chapter 3: Construction Mediation in Germany Chapter 4: Construction Mediation in Hong Kong Chapter 5: Construction Mediation in Malaysia Chapter 6: Construction Mediation in New Zealand Chapter 7: Construction Mediation in South Africa Chapter 8: Construction Mediation in Turkey Chapter 9: Construction Mediation in UK (England and Wales) Chapter 10: Conclusion: Review of International Mediation Practises and Key Legal Challenges

My investigations into identity began with an interest in the invention of personal myth by means of gesture, manner and appearances. Inspired by Lacan's writings on the aspects of “mirroring” as a means to re-affirm the self through external appearances, the work explored a number of ideas concerning the image of the body. More than mere portraits, these paintings draw from the non-verbal social language of the body to connect the audience directly to the life- sized scale of the painted figure. Each of the models played a key part in forming and critiquing her image through interactive dialogue. Working from collaged photographs, I altered the points of view to build the presence of the figure through combinations of flat and illusionistic approaches to space and form. The resulting works were an exciting hybrid of figuration and abstraction that revealed the powerful sense of drawing within the painting. within the painting.